<h4 class="tb f7">Some items from Stanford's first entrance exam</h4> <p class="tb f7"><span class="tx"><span class="tx">Standardized testing was not part of student life before 1899, when the College Board </span><span class="tx">was founded. Until then, college hopefuls sat for exams set by the school they aimed to </span><span class="tx">attend. Few applied to more than one. Stanford's 1891 register includes the requirements </span><span class="tx">of its first entrance exam, given over three days at several Western high schools and, </span><span class="tx">locally, on the porch of Stanford President David Starr Jordan's house, now the office of </span><span class="tx">the Escondido Village student housing complex.</span></span></p> <p class="tb f7"><span class="tx">Candidates had to pass 10 tests from </span><span class="tx">among 21 subjects, with only English being mandatory.</span></p> <p class="tb f7"><span class="tx">The new university was more progressive than some of these tests suggest. Members of </span><span class="tx">Stanford's entering Pioneer Class of 1895 faced the following requirements:</span></p> <p class="tb f7" style="padding-left: 30px;"><strong><span class="tx f5">English:</span></strong><span class="tx"><strong> </strong>Shakespeare's </span><em><span class="tx f9">Merchant of Venice</span></em><span class="tx"> and </span><em><span class="tx f9">Julius Caesar</span></em><span class="tx">; Scott's "Lady of </span><span class="tx">the Lake"; Whittier's "Snow-Bound"; Longfellow's "Evangeline"</span><span class="tx f9">; </span><span class="tx">the Sir Roger </span><span class="tx">de Coverley Papers from </span><span class="tx f9"><em>The Spectator</em>; </span><span class="tx">and</span><span class="tx f9"> </span><span class="tx">Scott's</span><span class="tx f9"> <em>Antiquary</em>.</span></p> <p class="tb f7" style="padding-left: 30px;"><strong><span class="tx f5">Elementary algebra:</span></strong><span class="tx"> Quadratic equations, including the theory of exponents.</span></p> <p class="tb f7" style="padding-left: 30px;"><strong><span class="tx f5">Physics:</span></strong><span class="tx"> A year's work in experimental physics. Candidates for entrance credit in </span><span class="tx">this subject should present their laboratory notebooks with their application.</span></p> <p class="tb f7" style="padding-left: 30px;"><strong><span class="tx f5">English literature</span></strong><span class="tx"><strong>:</strong> Candidates will be tested upon their ability to quote freely and </span><span class="tx">accurately, to paraphrase intelligently, and to outline symmetrically [from] </span><span class="tx f9"><em>a)</em> </span><em><span class="tx">Burke's </span><span class="tx f9">Speeches on the American War and Letter to the Sheriffs of Bristol</span></em><span class="tx">; or </span><span class="tx f9"><em>b)</em> </span><span class="tx">Genung's </span><em><span class="tx f9">Rhetorical Analysis</span></em><span class="tx">, in connection with some such work as A. S. Hill's </span><span class="tx f9"><em>Principles of Rhetoric</em> </span><span class="tx">[as well as] the etymological notes to the selections from </span><span class="tx">Spenser and Milton in Hales's </span><em><span class="tx f9">Longer English Poems</span></em><span class="tx">, [with the] word derivations </span><span class="tx">in question all carefully verified in </span><span class="tx f9"><em>Webster's International Dictionary.</em></span></p> <p class="tb f7" style="padding-left: 30px;"><strong><span class="tx f5">Freehand drawing: </span></strong><span class="tx">The ability to make a correct outline drawing and an </span><span class="tx">accurately shaded drawing from a group of geometrical solids.</span></p> <p class="tb f7" style="padding-left: 30px;"><strong><span class="tx f5">Latin:</span></strong><span class="tx"> The first six books of Virgil's </span><em><span class="tx f9">Aeneid</span></em><span class="tx"> and the translation into Latin of a </span><span class="tx">connected English passage based on Cicero. Excellence in writing Latin will often </span><span class="tx">compensate for deficiencies in other parts of the examination.</span></p> <p class="tb f7" style="padding-left: 30px;"><strong><span class="tx f5">Greek:</span></strong><span class="tx"> Grammar, the inflections, the formation of words, and the essential points </span><span class="tx">of the syntax [in] Xenophon, </span><span class="tx f9"><em>Anabasis</em>, </span><span class="tx">books I-IV; Homer, </span><em><span class="tx f9">Iliad</span></em><span class="tx">, books I-II.</span></p> <p class="tb f7"><span class="tx">By 1893, the </span><em><span class="tx f9">Register</span></em><span class="tx">'s authors felt compelled to add:</span></p> <p class="tb f7" style="padding-left: 30px;"><span class="tx">It is expected of every student that he be able to read Greek aloud without </span><span class="tx">stumbling.</span></p> <p class="tb f7"><span class="tx">In fact, many of Stanford's original 559 enrollees did not meet these requirements. </span><span class="tx">Instead, 147 entered in 1891 as "special students," in line with co-founder Leland </span><span class="tx">Stanford's ideas about opportunity and inclusion. Many came from rural areas with no </span><span class="tx">high school, and had had to study on their own. They were allowed into Stanford to work </span><span class="tx">on a particular subject or remedy deficiencies. Roughly one-third eventually joined an </span><span class="tx">undergraduate class. </span><em> </em></p>
https://youtu.be/GvJFC93idKU <h4>Imagining the universe at the intersection of art and science</h4> <em>The series </em>Imagining the Universe<em> “sparked a wide-ranging conversation about art, science, how we seek to understand our cosmos, and what that tells us about being human.”</em> <em>—Matthew Tiews, associate dean for the advancement of the arts</em> In 2015, the Stanford Symphony Orchestra brought art and science together in an extraordinary performance of Gustav Holst’s <em>The Planets</em>, a piece divided into seven movements corresponding to individual planets. As the symphony played, NASA images of the solar system appeared above center stage at Bing Concert Hall. The production was part of a yearlong university collaboration on the topic <em>Imagining the Universe: Cosmology in Art and Science</em>. Watch the video for the unfolding of a uniquely Stanford moment, when a vision of the universe, never before imagined, took shape.
https://youtu.be/fTKUipdCbQk <h4><span class="tx">In a beloved Stanford tradition, Sarah Young, this year’s Tree, designed and made her own </span><span class="tx">tree costume. </span></h4> <span class="tx">The familiar four-beat whistle is prelude to one of the most joyous scenes at Stanford athletic events: </span><span class="tx">the dancing Tree. Sarah Young won the right to dance her way through the Cardinal sports schedule and to create her own costume, an annual tradition dating back to 1987</span><span class="tx">. </span><span class="tx">For her Tree, Young chose a weeping willow design: “There has never been a willow before, so I wanted </span><span class="tx">to represent the new generation of Trees, both as people and as costumes.”</span>